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Born
in Dartford, Kent in 1932, studied at the Royal College of
Art where he obtained a First Class Diploma. Taught at St.
Martin's School of Art and later at the Royal College. In
1961 he featured in Ken Russell's BBC film, Pop Goes the Easel.
He has been acclaimed as one of the founders of British Pop
Art and draws from British traditions and subject matter,
yet his art is highly individual.
He
has produced many biographical and descriptive works of people
in their natural environments, including his exotic series
of circus or fairground figures. A strong thread of fantasy
runs throughout his work. The pictures which are more easily
defined as 'pop' works, are often devoted to real films or
music personalities, such as The Beatles. He uses pop ephemera
for these, employing collage. In his portraits, characters
are built up using elements of dress, style, name and lettering.
He joined the Brotherhood of Ruralists in 1975 and his art
became more concerned with the themes of childhood and fairytale.
He has a passion for telling a story, an obsession with detail
and a fascination for the Victorian image, as in the Alice
in Wonderland series.
Like
Warhol and other Pop artists, Blake uses ready-made images,
such as photographs or printed material, producing a recognisable
pop art 'look'. However, his art is quite personal and reflects
back to the traditions of fine art and illustration. He has
a naturalistic style; his portraits are quite fleshy, three-dimensional
and at times have an 'aged' look which he achieves from using
different techniques. His images are quite unlike the processed
images of the American pop artists.
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